From cave walls to digital glitches, art remembers without its maker.
32 works arranged across eight rooms
Follow the rooms from first mark to final aggregate.
Dataset Monument - penultimate room
The exhibition borrows the idea of a storehouse consciousness: a place where impressions remain as latent traces. Here, art history becomes that storehouse.
Across the rooms, the hand recedes into trace, the body into scale, feeling into arrangement, and the viewer into one more condition of the image. What remains is not disappearance, but a changed position inside the archive.
What remains of the artist when every style has become a stored condition of seeing?
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